When the new TV show “Mad Men” premiered last week, I was thrilled by the fact that, thanks to my newfound ability to “listen,” I could now enjoy every episode of the show on a regular basis.
I had watched it three times in its first season.
And I could hear the chatter about how “Mad” was “the greatest TV show ever,” a phrase that has become synonymous with the genre.
It’s a perfect analogy for the internet, which I feel is the ultimate playground for the creative types who are drawn to its world of “mad” and “futuristic” humor.
The internet, I realized, has also become a great place for artists to experiment with “madness” as a way to explore their art.
It has been an exciting and transformative time for me.
For one, I’m not in any way bound by the conventions of the medium.
I can make fun of the genre in any number of ways.
It might be that “Mad,” like any other cartoon, has a sense of humor that is just as infectious as the humor itself.
In other words, it’s the perfect medium for creative experimentation.
And, in the past year, I’ve found that, while “Madness” has made me laugh, it also has made it hard to leave the comfort of my home for long periods of time.
“Mad” is a cartoon series that is both a satire and a cautionary tale.
The characters are all over the place.
They’re all funny.
They are all misfits.
And they are all on the verge of becoming mad.
I’m so far removed from “Mad Mad” that I’m still trying to figure out the best way to describe it.
But for now, I feel like I’m “Mad.”
I have a great sense of humour.
I think of myself as a very funny person, and when I talk to people about it, they usually say, “Well, you’re really funny.
You’re like, you can really take a punch.
It was just a joke.”
I think that’s true.
When I was a kid, I used to laugh like crazy.
But then I started watching cartoons, and I was shocked.
That’s because I never really understood why so many cartoons were so much funnier than real life.
Why was the real world so full of people who couldn’t take a joke?
And what’s more, what made it funny?
In an effort to understand the psychology of “Mad”, I spoke with two of the creators of the “Mad World” comics.
They shared their own experiences, too.
The first creator, “Mr. Dime,” told me that he had started reading comics when he was 14, when he discovered the “Dark Knight” series.
At the time, he was just doing “real” superhero comics, but he quickly discovered that “the Dark Knight” stories were much funniest when they were dark and gritty.
His favourite “Dark Night” story was “Mr Dime and the Giant Spider,” which featured a character called Mr. Dimes.
The stories were about Mr. Mimes, a man who is obsessed with spider-hunting.
He goes to Spider-Man and tries to kill Spider-Mimes.
But Spider-Tails saves him, and Spider-Gnomes gets a spider tattooed on his chest.
He has since become one of the most popular and popular “Mad”-style characters in comics, and he also wrote the first “Mad-world” comic in 1999.
Mr. Rubeo, who also writes comics, told me he was a fan of “Mr Rube.
He was the most successful comic-book writer of his time, but also one of my favourite writers.”
He also started reading “Madworld,” and started writing about it when he and his wife moved to New York City.
They also started watching “Mad”.
Mr Ruelo told me how they were so obsessed with the show, that he thought they would become “Mad Masters.”
The show was such a popular show in the ’90s, that Mr Ruelos were so impressed with it, he decided to become a creator himself.
In “Mad Mice,” Mr Rubeos is the creator of a small-town kid’s show, called “Mice.”
In the show’s early years, the Mice are a misfit group of misfits who spend their time trying to be “MadMice” or “Mad MagicMice,” while trying to become “Mime Masters.”
Mr. Ruelow said the show “was just so crazy, and everyone’s always saying it was so funny.”
And Mr. Kudlak was a huge fan of the shows, too, and even helped Mr. Jubeo with his “Mad Worlds” stories.
Both of these creators had to learn a